Rod Stewart Sing It Again Rod Album Date
| Fear of Flight | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Mýa | ||||
| Released | April 25, 2000 (2000-04-25) | |||
| Recorded | September 1999 – March 2000 | |||
| Studio |
| |||
| Genre | Hip hop soul[1] | |||
| Length | 63:44 | |||
| Characterization |
| |||
| Producer |
| |||
| Mýa chronology | ||||
| ||||
| Singles from Fear of Flying | ||||
| ||||
Fear of Flying is the 2nd studio album by American vocaliser Mýa, released on Apr 25, 2000, by University Music Entertainment and Interscope Records. Following the success of her debut anthology Mýa (1998), Interscope promptly allocated Harrison studio time and assembled recording sessions beginning September 1999 which concluded in March 2000. For this record, Mýa made the conscious decision to become involved more than creatively, opting to pen her ain lyrics after securing a publishing deal to launch her own publishing visitor every bit well as interact with a wider range of established producers and songwriters on the album. Looking to embrace a more mature audio, Harrison consulted and collaborated with a bevy of producers which included Rodney Jerkins, Swizz Beatz, Wyclef Jean, Knobody, Robin Thicke, Tricky Stewart, and Jimmy Jam & Terry Lewis.
A hip hop soul album, Mýa described Fear of Flight as a metaphor for the ups and downs of life, a theme present throughout the anthology which includes treatment things like an adult and knowing yous must accept organized religion to make anything happen.[2] Lyrically, the album's material addressed the vocalizer's romantic relationships which symbolized her relationship with family, friends and acquaintances.[three] Noting that Fright of Flying is "a reflection of being in dearest for the very first fourth dimension, experiencing success and the fears of fame."[iv]
Upon its release, the album received mixed reviews from music critics citing some of the anthology's "tepid cloth." Commercially well received, Fear of Flying debuted with a Top 20 placement at number 15 on the Billboard 200. Initially though, the anthology stalled on the charts until the release album's second unmarried and in turn solidified Fear of Flying a hitting garnering multiplatinum success.[5] To go along the anthology's momentum, nearly seven months after its original release, Fearfulness of Flying was re–released with two new additional songs on November 7, 2000.[6]
In support of the album, three singles were released – "The Best of Me," "Example of the Ex," and "Free," which attained international chart success. Due to the album's success, Fright of Flying earned Soul Train Awards and MOBO nominations.
Considered her most expressive endeavor to date, Fright of Flying helped established Mýa as a household name in mainstream media and redefine a golden age for R&B. In Apr 2020, to commemorate the anthology'southward twentieth ceremony, Universal Music Group release an expanded edition featuring over 10 rare remixes and bonus tracks.[seven]
Groundwork [edit]
In 1998, Mýa released her cocky-titled debut studio album. The album received generally favorable reviews from music critics, and peaked at number 29 on the US Billboard 200 and number 13 on the Top R&B/Hip-Hop Albums chart, eventually being certified platinum by the Recording Manufacture Association of America (RIAA), while selling over 1.4 1000000 copies in the United States. A critical and commercial success, Mýa spawned three commercially successful singles and earned several accolades, including a NAACP Image Award nomination and two Soul Train Music Accolade nominations. Following the commercial success of her debut, Mýa quickly re-entered the recording studio to begin piece of work on her second anthology. During her 2 years away, she toured with several artists, and made her moving-picture show debut in the thriller In Besides Deep (1999).[9] Additionally, she was selected by Bongo jeans as their spokesperson and had a Tommy Hilfiger lipstick shade named subsequently her.[ten] During the development stages of the anthology, Mýa consulted several different producers for her follow-up anthology, including She'kspere, Knobody, Tricky Stewart, and Robin Thicke besides as Wyclef and Swizz Beatz of Ruff Ryders.[8] A number of guest vocalists whom contributed to the project, included TLC's Lisa "Left Eye" Lopes, Jordan Knight, and Beenie Man.[11] In addition, Harrison launched her ain publishing company, Art of War.[12]
Mýa, who did some writing on her debut album, was heavily involved in the production of Fearfulness of Flying, commenting: "I wanted to get that hands-on feel. I was involved in every single process, from writing and recording to producing, mixing, and mastering."[2] In response to the album'due south fabric, the vocalizer commented that many of the anthology'due south songs are nigh female empowerment.[ii] "I'm learning that the decisions beingness made ultimately impact me, so I make most of them with the insight and help of other people", she explained. "I even so have to focus on what feels expert to me and what's going to work in the long run, instead of selling 20 one thousand thousand records or being controversial."[2] The album's title, came from a song Mýa recorded past the same name—not from Erica Jong's 1973 novel of the aforementioned proper noun. During an interview with Billboard, which discussed the championship, Mýa noted that while she had not been aware of the book, she subsequently "started reading it and noticed a lot of similarities: "Fear of Flying is a metaphor for the ups and downs of life. It's most treatment things like an adult, knowing you must have faith to make anything happen."[2] Interscope hired lensman and director David LaChapelle to shoot the images for the album's packaging.[13] [xiv] While she admired the work of Dave La Chapelle, Mýa revealed she cropped the original album's cover considering it focused on her body, commenting, "I didn't like it. It wasn't capturing."[15]
Development [edit]
Mýa considers her first album equally an experiment and a learning ground. Prior to inbound a recording studio, she had no vocal training and was doing improv-breathing the whole time on every vocal. With Fright of Flying, she acknowledged she learned things such equally how she like to work and what works right for her in the studio. On Fear of Flying, she received vocal training and noted her vocals got along better with live performances.[xvi] Speaking with Time, Mýa revealed with Fear of Flight she took more than control over her sound and image.[one] She commented that Fright of Flying was "an opportunity and a test."[ane] For her 2nd studio album, Mýa wrote a lot.[10] Openly albeit, "Writing helps me sort through feelings that I'k trying to figure out."[10] She noted her journal is filled with curse words and exclamation points, explaining, "It's either farthermost highs or extreme lows."[10] In an interview with the New York Daily News, Mýa explained that the anthology was "about independence."[ten] She best-selling with Fear of Flying she became "more confident",[x] while commenting, "I'm a lot more than straightforward. Things I didn't know how to say or when to say, I'g saying now."[10] During the recording procedure, Mýa explained she clicked more with producers that like to showtime from scratch. Commenting, "It allowed me to be involved in the procedure. They were interested in what I had to say which made me feel practiced about myself." One item producer Mýa gelled with was Wyclef Jean. Speaking on working him, she commented, "He was interested in what I had to say. My ideas - what I had to bring to the tabular array. He wasn't afraid to get back into the studio and change things." Robin Thicke, a so-up-and-coming producer, was some other Mýa meshed well with. Of his contribution to Fear of Flight Mýa commented, "he is a true talent and I enjoyed working with him."[16] While reviewing Fear of Flying, in an article, Time noted on her debut endeavour, Mýa was a "lovestruck teen" while on Fear of Flying, "she's a woman coming face to confront with romantic entanglements."[1] With xviii tracks featured on the album, Time applauded the album to manage that rare affair: to combine captivating beats with hummable melodies.[ane] Commenting on the finished product, Time wrote, "This is hip-hop soul with plenty of pop appeal."[1]
Music and composition [edit]
Musically, Fearfulness of Flying has been described every bit a "shine, catchy, personalized mixture of street-spice soul."[17] According to multiple critics, the album is more than focused on themes than coherency of musical style.[12] Sonically, the album'due south sound veers from quiet storm tracks to difficult-edged Timbaland homages to cheerleader romps.[12] The album's focal theme is "proper behavior on the dangerous grounds of courtship" and ranges from uptempo tracks to inspirational ballads.[12] Several of the album's 18 tracks were co-written by Mýa, with Vibe magazine noting in an article that "Mýa tackles difficult melodic and rhythmic twists without ditching a nice conversational tone."[12] Fear of Flying opens with an intro courtesy of Swizz Beatz. Titled, "Turn It Upwardly" it features a cease-first beat out and samples of a cooing baby.[18] Next up, "Case of the Ex," a song structured around producer Catchy Stewart'due south "driving, Beethoven-meets-Timbaland" chord changes, where Mýa expresses distrust in her lover.[12] It is built effectually a tricky yet fairly complicated chorus and clever lyrics.[nineteen] It is followed by the "dramatic" "Ride & Shake", which was compared to the work of Whitney Houston.[12] The mildy racy Rodney Jerkins-produced "That's Why I Wanna Fight" is a sensuous midtempo and served equally the anthology's fourth track. Structured, similarly to Marvin Gaye's 70s material, Harrison adopts Gaye'due south double singing technique.[18] [19] Rail five, the dance-oriented imaginative "Pussycats" is a nursery rhyme-influenced song produced by Wyclef Jean and Jerry Duplessis. A frisky jam, it samples the sound of mewing cats.[2] [18] [20]
The album's "combative" sixth track, "The Best of Me", was produced by Swizz Beatz, and features Jadakiss.[12] Described equally "edgy" and "street savvy," Mýa commented on the message behind the song, suggesting, "Information technology's about setting standards for yourself, about post-obit them through and not allowing the temptations of a heat of the moment situation to lure you into something that you may regret later on in life."[20] Described every bit "mildy construction," the album's seventh track "Lie Detector," is another midtempo which finds Mýa refusing advances.[19] The TLC-sounding "How You Gonna Tell Me" courtesy of She'kspere and Kandi has Mýa telling her girlfriend to spare her bad advice. Lyrically and conceptually, Mýa opted to add her thoughts to the song, explaining, "I wanted the song to exist about people preaching to me what they don't practice. About how these specific people speak to me on the way I should live and my reaction to them and their twisted lives."[12] [xx] While the "trip the light fantastic toe-floor-set up" "Takin' Me Over," produced by Robin Thicke featuring Lisa "Left Eye" Lopes, begins with Mýa acting like the women she has expressed dislike for, while holed up in her bathroom with pilus products.[12] A catchy piece of retro soul, "Takin' Me Over" is 60s Motown meets early 00s and shows Mýa in a playful coy mood. Mýa dubs it her "don't give a damn song."[twenty] [xix]
The lush title rails, "Fearfulness of Flying" is a folk-ish quasi ballad produced past Knobody and uses the idea of being afraid to fly as a metaphor for other issues.[twenty] [nineteen] The Soulshock and Karlin product, "Tin't Believe," and remake of Michael Jackson's "The Lady In My Life," accordingly titled, "Human being In My Life," are standard fare A/C anxious emotional ballads,[19] while on a romantic note, the sexy ballad "No Tears On My Pillow" written by Mýa and the song's producer Robin Thicke served equally the anthology'south fifteenth rails.[12] [20] Followed by "For the First Time" a sexual surrender cut produced past Swing Mob fellow member Daryl Pearson.[19] The album'south closing track, an outro, "Get Over" is a spoken word "thank you" midtempo with calypso tinge.[nineteen]
Release and promotion [edit]
Initially set up for a late 1999 release, Fear of Flying was later scheduled for a February 2000 release,[eight] before Interscope settled on an Apr 25, 2000, release date.[21] In Germany, information technology was released June xix, 2000,[22] while in the U.k., the album was released on July 24, 2000.[23] Interscope hoped that the album would attract both pop and R&B/hip-hop audiences,[2] with Steve Stoute, president of black music and executive VP for Interscope-Geffen-A&M commenting that all marketing surrounding the album's release would "exist paying attention to the street audiences with this album." He added, "Nosotros're too looking to build upon her previous success. She gained a large pop audience through 'Ghetto Supastar' and 'Accept Me There.' She'due south also grown as an artist and her music reflects that."[2] In early Apr 2000, Billboard reported that Mýa was gear up to attend MTV'due south annual Spring Break special in Cancun.[24] Additionally, in that aforementioned article, it mentioned that Mýa was due to tape an episode of Total Request Live.[24] On April 17, 2000, Mýa performed on The Queen Latifah Evidence.[25] On May 26, 2000, ABC aired their "25 Hottest Stars Under 25" special which Mýa was a office of.[26] In July 2000, Mýa appeared on the show Farmclub.com; her appearance aired on July 10, 2000, on USA Network.[27] In mid-2000, Mýa opened for Montell Hashemite kingdom of jordan on his European bout; during a Vibe interview it mentioned that she was heading to Germany to begin the tour.[17] On December vi, 2000, Mýa made an advent on Alive with Regis and Kelly.[28]
In February 2001, during All Star weekend Mýa performed at the 5th almanac NBA Team Up Celebration which was held at Constitution Hall.[29] Also in February Mýa was invited equally a presenter at the 43rd Grammy Awards ceremony.[30] Mýa co-hosted and performed at the 2001 Soul Train Music Awards which was held on February 28, 2001, at the Shrine Auditorium in Los Angeles.[31] [32] In March 2001, Mýa was a part of Janet Jackson's MTV Icon special, during which she performed in the dance tribute.[33] After serving as an opening human activity on other featured tours, Mýa branched out on her own and embarked on her first headlining tour. Entitled, the Fearfulness of Flying Bout, the outing was an eleven-twenty-four hour period city tour that began on March 21, 2001, and concluded April 1, 2001.[34] [35] On September 7, 2001, Mýa performed at Michael Jackson's 30th anniversary concert which was televised.[36] To continue promoting the anthology, Mýa appeared on MTV'southward Music in High Places, a music and travelogue series where recording artists travel to exotic sites for a series of audio-visual concerts.[37] [38] She performed acoustic rendition of her songs while in Sicily, Italy, performing a gear up comprising her songs "Free", "Ghetto Superstar", "I'll Be In that location", "Movin' On", "Sweet Matter", "The Best of Me", amidst others. Her episode aired on December 20, 2001.[38]
On Nov vii, 2000, Fright of Flight was re-released with a revised rail list which featured the single "Free" and a new track titled "Again & Once again".[39] The repackaged edition of the album was released on Feb 19, 2001, in the Uk and on May 8, 2001, in Deutschland.[twoscore] [41] The United kingdom reissue is notable for containing the track "Whatever Chick", a song that would subsequently exist featured on her third studio album Moodring (2003), appearing at that place in a reworked and explicit version, retitled "Whatever Bitch". The Australian reissue of Fear of Flying likewise contained the exclusive tracks "Girls Like That" and "Telephone Games."[40]
Singles [edit]
In back up of the album, Interscope Records released three singles from Fear of Flying. Initially, earlier "The Best of Me" was chosen as the album'due south lead single, the song "Lie Detector" was considered as a potential contender. The instrumental for "The All-time of Me" was originally expected to be used and recorded past rapper DMX in a Miami recording session with Swizz. However, the instrumental of the song was left unused until the producer returned to New York Urban center to start work on Mýa's album at The Hit Factory.[42] Upon accidentally pushing a button in the studio, Mýa'southward direction reportedly "jumped up and said 'That's information technology, that'due south it'" when they heard the songs instrumental.[42] The record was amid the last tracks that were recorded for the album.[2] Jadakiss, a then member of the Ruff Ryders Amusement's grouping The LOX, was chosen as the featured creative person on the song every bit a result of label connections with Interscope Records.[2] Released on March 6, 2000, "The All-time of Me" peaked at number 50 on the Billboard Hot 100 and number 14 on the Hot R&B/Hip-Hop Songs chart. Internationally, the single institute pocket-size chart success peaking at number 26 in Germany, while charting moderately in Netherlands and Switzerland.
The 2d single, "Case of the Ex", was released commercially on August 28, 2000. Originally a rap song, producer Catchy Stewart heavily rearranged the track to make it fit Mýa'due south persona.[43] The vocal peaked at number two on the Billboard Hot 100 and number 10 on the Hot R&B/Hip-Hop Songs chart. Globally, "Case of the Ex" experienced similar success, peaking at number 1 in Commonwealth of australia for 2 weeks and earned a platinum certification from the Australian Recording Manufacture Association.[44] In the Uk the song charted within the summit ten and earned a silver certification from the British Phonographic Manufacture.[45] Elsewhere in Europe the song peaked within the Superlative twoscore in The Netherlands, Belgium, Republic of ireland, Scotland, French republic and Federal republic of germany.
The third and last single released from the anthology, "Free", originally appeared on the original soundtrack to the offense comedy film Bait (2000) starring Jamie Foxx.[46] The runway was written and produced by Jimmy Jam & Terry Lewis. "Free" reached number 42 on the Billboard Hot 100 and number 52 on the Hot R&B/Hip-Hop Songs chart. Meanwhile, internationally, "Free" performed even improve peaking within the top 10 in Commonwealth of australia, the song received a platinum certification from the Australian Recording Industry Association.[44] Elsewhere, the song charted within the tiptop 20 in U.k. and Poland, and within the top xl in Ireland and Scotland.
Critical reception [edit]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [47] |
| Billboard | Favorable[48] |
| Entertainment Weekly | C[49] |
| People | Favorable[l] |
| Q | [51] |
| Rolling Stone | [52] |
| The Source | Favorable[51] |
| Uncut | [51] |
| Vibe | Favorable[51] |
| Voir | [53] |
People named Fright of Flight their Album of the Week and chosen information technology an "unexpected treat", though commenting that "Mýa offers no assuming new sonic innovations. She does breathe life and sass into a genre too long held earnest by formula."[54] In his review for AllMusic, Jon Azpiri wrote that "Mya's sophomore effort proves that she is a promising young talent, but even so has yet to develop the chops necessary to rank among the best of R&B divas." He felt that "without the energy of collaborators in the mix, many of her solo tracks wander into predictability. The album relies as well heavily on tepid ballads such as the title track and 'Man of My Life'. Yet songs like 'Can't Believe', "For the Beginning Time', and 'Lie Detector' show an emotional depth that lacked in her debut."[47] Josh Tyrangiel of Entertainment Weekly gave the album a C rating. He found that "Mýa can sing well enough; now she needs to find something to sing about."[49] Rolling Stone magazine writer Ernest Hardy gave the album 2 stars out of 5 and wrote: "The signature quiver in Mýa'southward voice does give her some sonic identity, but otherwise this could be the music of Destiny's Child, Aaliyah or any of the countless interchangeable hip-hop/R&B divas."[52]
The Source magazine gave the album a positive review, writing, "reaching out to hip-hop heads [...] Mýa proves she tin concord her own in this competitive game of young female musicians. She's well on her way [to] the class of aristocracy divas".[51] Uncut called the album a "crafted, coffee-rich affair blending soul and swing [...] information technology'south a grower which oozes class." While Q mag rated the album iii stars out of 5 and wrote: "Mýa demonstrates enough sass to suggest a sunny futurity."[51] Vibe stated that "the starlet has decided to testify off her range [...] as if she and her top-notch producers attempted to wipe out the competition past transforming Mýa into each of her rivals in turn [...] a grand tour through the ever-irresolute moods of female boyhood".[51]
Accolades [edit]
| Year | Ceremony | Award | Effect | Ref. |
|---|---|---|---|---|
| 2000 | Washington Area Music Awards | Urban Gimmicky Recording | Won | [55] |
| Anthology of the Yr | Nominated | |||
| 2001 | MOBO | Best Album | Nominated | [56] |
| Soul Railroad train Music Awards | Best R&B/Soul Album - Female person | Nominated | [31] |
Commercial performance [edit]
In the The states, Fright of Flying debuted at number 15 on the Billboard 200 and at number vii on the Top R&B/Hip-Hop Albums chart with start-week sales of 72,000 copies sold.[57] In its second and third week, the album sold an estimated 42,784 and 33,907 copies, respectively.[58] [59] Thirteen weeks after its release, the album sat at number 109 on the Billboard 200.[60] During its chart run, Fear of Flying remained on the Billboard 200 for a total of 52 consecutive weeks. Towards the end of 2000, Billboard ranked the anthology as the 144th acknowledged album in the US, while at the end of 2001 information technology was ranked as the 178th best-selling album.[61] [62] On June eight, 2000, the anthology was certified gold by the Recording Industry Association of America (RIAA) denoting shipments in excess of 500,000 copies.[60] While on March 28, 2001, the album was certified platinum by the RIAA.[63] By May 2003, the album had sold 1.ii million copies in the United States alone, co-ordinate to Nielsen SoundScan.[64]
Internationally, Fearfulness of Flying charted moderately. In Switzerland, the album debuted at number 84, earlier peaking at number 33 and spent a full of sixteen sequent weeks on the Swiss Albums Chart. It debuted at number 54 on the Australian Albums Nautical chart and reached number 28 in its 18th non-sequent week.[65] [66] It spent a full of 25 not-consecutive weeks on the chart[67] and was eventually certified aureate past the Australian Recording Manufacture Association (ARIA) in September 2001.[68] Information technology debuted at number 39 in New Zealand and exited the chart later two weeks. In Germany, the anthology debuted at number 52 and spent a total of 16 consecutive weeks on the German Albums Nautical chart. It debuted and peaked at number 81 on the UK Albums Chart with one re-entry in June 2001. It failed to move up on the French Albums Chart, spending a full of five consecutive weeks on the nautical chart and peaked at number 102. It debuted at number 51 on Canada's RPM 's albums chart and rose 12 spots to number 39 in its 2nd week. Information technology spent a full of nine consecutive weeks on the chart and was afterward certified gilded by the Canadian Recording Industry Association (CRIA) on January 15, 2001.[69] Combined, her debut album, Mýa (1998), and Fearfulness of Flight had sold half dozen million albums worldwide as of May 2001.[70]
Legacy [edit]
Author Stacy-Deanne noted Fear of Flying took Mýa to "new heights" and helped establish her as a household name in mainstream media. Acknowledging, with Fear of Flying it exemplified why fans truly appreciated her music, commenting and praising the endeavour as "poetic", "sexy", "passionate", and "honest sensitivity". She expressed, Fear of Flying had succeeded in a way that the first album had not...information technology had "crossover appeal." In the midst of her success, Deanne opined Harrison had develop as a well rounded-performer with flexible abilities who was consistently a "source of attraction" on television and on tour. Essentially, Deanne dubbed Fearfulness of Flying as Harrison's most expressive try.[71]
In Nov 2007, The Guardian featured Fear of Flying on its "thou albums to hear earlier y'all die" listing, lauding Fear of Flying equally "a new golden age for R&B", while noting that Mýa's "lightly melismatic vocals suited these rhythmically tricksy tales, capturing perfectly the highly charged sadness of a dead affair."[72]
Billboard acknowledged "How You Gonna Tell Me" and ranked the vocal at number 30-two on their 40 Best Deep Cuts of 2000 list, while noting,"Tell Me" would've fabricated a much likelier hit than the tepid "Best of Me."[73]
Track listing [edit]
| No. | Title | Author(s) | Producer(s) | Length |
|---|---|---|---|---|
| ane. | "Turn Information technology Upward (Intro)" (featuring Swizz Beatz) | ane:22 | ||
| 2. | "Case of the Ex" |
| Christopher "Tricky" Stewart | 3:56 |
| three. | "Ride & Shake" |
| Dent | 4:00 |
| 4. | "That's Why I Wanna Fight" |
|
| 4:35 |
| v. | "Pussycats" |
|
| 4:21 |
| 6. | "The Best of Me" (featuring Jadakiss) |
|
| 4:12 |
| seven. | "Lie Detector" (featuring Beenie Man) |
|
| iv:21 |
| 8. | "How You Gonna Tell Me" |
|
| iii:35 |
| ix. | "Grandma Says (Skit)" | Carl "Chucky" Thompson | 0:48 | |
| 10. | "Takin' Me Over" (featuring Left Middle) |
|
| 3:55 |
| 11. | "Now or Never" |
|
| 3:50 |
| 12. | "Fear of Flight" |
| Jerome "Knobody" Foster | 4:24 |
| thirteen. | "Flight (Interlude)" | Harrison |
| 0:52 |
| fourteen. | "Can't Believe" |
| Soulshock and Karlin | 4:16 |
| fifteen. | "No Tears on My Pillow" |
|
| |
| 16. | "For the Start Time" |
|
| 4:20 |
| 17. | "Human in My Life" | Rod Temperton |
| 4:32 |
| 18. | "Get Over (Outro)" | Harrison |
| 2:27 |
| No. | Title | Writer(southward) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Plow It Up (Intro)" | 1:22 | ||
| 2. | "Example of the Ex" |
| Stewart | 3:56 |
| 3. | "Gratis" |
|
| 5:21 |
| 4. | "Pussycats" |
|
| 4:21 |
| 5. | "Again & Again" |
|
| iii:29 |
| six. | "How Yous Gonna Tell Me" |
|
| 3:35 |
| seven. | "Grandma Says (Skit)" | C. Thompson | 0:48 | |
| 8. | "Takin' Me Over" (featuring Left Center) |
|
| iii:55 |
| 9. | "The Best of Me" (featuring Jadakiss) |
|
| four:12 |
| 10. | "Lie Detector" (featuring Beenie Man) |
|
| 4:25 |
| eleven. | "Fearfulness of Flight" |
| Foster | four:24 |
| 12. | "Fear of Flying (Interlude)" | Harrison |
| 0:52 |
| 13. | "Now or Never" |
|
| iii:50 |
| fourteen. | "Man in My Life" | Temperton |
| 4:32 |
| 15. | "Can't Believe" |
| Soulshock and Karlin | iv:16 |
| 16. | "That'south Why I Wanna Fight" |
|
| four:35 |
| 17. | "Ride & Milkshake" |
| Dent | 4:00 |
| eighteen. | "Get Over (Outro)" | Harrison |
| two:27 |
| No. | Championship | Writer(s) | Producer(southward) | Length |
|---|---|---|---|---|
| eighteen. | "Whatever Chick" |
|
| 4:18 |
| xix. | "Case of the Ex" (Sovereign Remix) |
|
| 5:42 |
| 20. | "Get Over (Outro)" | Harrison |
| two:27 |
| No. | Title | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 19. | "No Tears on My Pillow" |
|
| 4:02 |
| 20. | "For the Commencement Time" |
|
| 4:20 |
| 21. | "Whatsoever Chick" |
|
| 4:18 |
| 22. | "Instance of the Ex" (Sovereign Remix) |
|
| 5:42 |
| 23. | "Case of the Ex" (O.M.O two-Footstep Mix) |
|
| 3:22 |
| 24. | "Case of the Ex" (Mya Remix) |
|
| 3:28 |
| 25. | "Gratuitous" (Milk & Sugar Club Mix) |
|
| seven:38 |
| 26. | "Free" (Milk & Sugar Club Mix Instrumental) |
|
| 7:38 |
| 27. | "Free" (Howard & Cross Version) |
|
| 3:14 |
| 28. | "Complimentary" (X Men Vocal Mix) |
|
| 4:20 |
| 29. | "Complimentary" (Ricco) |
|
| 4:12 |
| 30. | "The Best of Me" (Fernando Garibay Radio Mix) |
|
| iii:26 |
| 31. | "The Best of Me" (Fernando Garibay Social club Mix) |
|
| 5:49 |
Notes [edit]
- ^[a] signifies a vocal producer
- ^[b] signifies an additional vocal producer
- ^[c] signifies a co-producer
- ^[d] signifies an boosted producer
- ^[eastward] signifies a Pro Tools producer
- ^[f] signifies a remixer
Personnel [edit]
Musicians [edit]
- Robert Aaron – horn
- Beenie Man – vocals
- Michael Cain – keyboards
- Joe Davi – acoustic guitar
- Rick Davies – horn
- Traci Unhurt – backing vocals
- Norman Hedman – percussion
- Sean Hurley – bass guitar
- Jadakiss – vocals
- Elijah Joy – phonation-over
- Jordan Knight – vocals
- Lisa "Left Eye" Lopes – vocals
- Maiesha Rashad – voice-over
- Marlon Williams – guitar
Production [edit]
- Mýa – vocals (atomic number 82 and background), production, executive production
- Jerry Duplessis – production
- A. Islam Haqq – production, executive product
- Wyclef Jean – product
- Rodney Jerkins – production
- Kandi Burruss – co-production
- Pro-Jay – programming, product
- Chris "Tricky" Stewart – keyboards, programming, product
- Swizz Beatz – production
- Robin Thicke – programming, production
- Anthony Dent – programming, production
- Brandon Abeln – engineering
- Ralph Cacciurri – engineering
- Keith Cohen – engineering
- Kevin Crouse – engineering
- Chris Frame – applied science
- Brad Gilderman – technology
- Jason Groucott – engineering, mix engineering
- Tal Herzberg – technology
- Adam Holmstead – engineering
- Ricco Lumpkins – applied science
- Michael Sherman – engineering science
- Brian "B Luv" Thomas – technology
- Darrel Thorpe – engineering
- Richard Travali – engineering science, mix engineering science
- Dylan Vaughan – mix technology
- Kieran Wagner – applied science
- Doug Woulson – engineering
- Kevin "KD" Davis – mixing, mix engineering
- Glen Marchese – mixing
- Manny Marroquin – mixing
- Tony Maserati – mixing
- Chris Athens – mastering
Charts [edit]
Certifications [edit]
Release history [edit]
Notes [edit]
- ^ Tracks ii and 8
- ^ Rails 3
- ^ Track 4
- ^ Tracks 5–vii and 16
- ^ Track vi
- ^ Tracks 10, xi and fifteen
- ^ a b Runway 12
- ^ Track 14
- ^ Track 16
- ^ a b Track 17
- ^ Engineering on "Free"
- ^ a b "Again & Once again"
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Source: https://en.wikipedia.org/wiki/Fear_of_Flying_(album)
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